-
An art conservator's best tools? Their eyes 20 April 2023, Simon Gillespie
-
Art conservation: the final touches 29 June 2023, Simon Gillespie
-
Four Flemish Cinderellas: how a group of neglected paintings became the stars of the show 20 May 2017, Amina Wright
-
How to restore a Guy Taplin sculpture: the Fine Art Restoration Company at work 14 March 2023, Fine Art Restoration Company
-
Identification and attribution at the University of St Andrews 24 June 2013, Helen C. Rawson
-
My favourite tool: an ultraviolet torch 04 May 2023, Simon Gillespie
-
On the different lights used by art conservators 27 April 2023, Simon Gillespie
-
Overpaint: the audacity of past restorers! 15 June 2023, Simon Gillespie
-
Paint analysis for art conservation 18 May 2023, Simon Gillespie
-
Sympathetic retouching 22 June 2023, Simon Gillespie
-
The restoration of a 'Lady' at Ordsall Hall in Salford 07 December 2023, Peter Ogilvie
-
Treating artworks: works on panel 25 May 2023, Simon Gillespie
-
Using x-ray and infrared images 11 May 2023, Simon Gillespie
-
Varnish removal 08 June 2023, Simon Gillespie
-
Welcome home, 'The Welcome'! The journey of one man and his dog 30 June 2023, Amy Brunn
-
What is art conservation? 20 April 2023, Simon Gillespie
-
Works on canvas: mending tears and flattening undulations 01 June 2023, Simon Gillespie