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Bruegel, Brueghel or Breughel? The painting dynasty explained 12 January 2024, Adam Wattam -
'Ravishing blind harmony': John Parry, the famous Welsh harper, and images of blindness in art 10 January 2024, Steph Roberts -
Dancing here and there with the Mari Lwyd 21 December 2023, Adéọlá Dewis -
Cityscapes in art: dystopian perspectives and unexpected beauty 19 December 2023, Jonathan Hajdamach -
Flower power: Rachel Ruysch and Dutch Golden Age bouquets 13 December 2023, Alice Vincent -
Tiger, tiger burning bright: the big cats in art 12 December 2023, Samuel Shaw -
Artists and tenements: depicting the foundation of urban life in Scotland 11 December 2023, Gabriella Bennett -
Pesellino, Masaccio and Botticelli: competition and innovation in Renaissance Florence 29 November 2023, Livia Lupi -
Colour in the Victorian era: a new chromatic age 27 November 2023, Matthew Winterbottom, Madeline Hewitson and Natasha Podro -
Margaret Gardiner: activist, benefactor and founder of the Pier Arts Centre 15 November 2023, Carola Huttmann -
A portrait of the architect Henry Flitcroft (1697–1769) 13 November 2023, Gill Hedley -
Women painting the First World War 07 November 2023, Alison Thomas -
Haarlem's Golden Age: five artists who put a small Dutch city on the map 30 October 2023, Imelda Barnard -
Rediscovering Black Portraiture: unshackled, reimagined, seen 25 September 2023, Peter Brathwaite -
The art of dressing: shaping fashion in Georgian England 13 September 2023, Lucy Ellis -
Witches and wives, goddesses and gorgons: mythological women 12 September 2023, Ana Sampson -
The Virgin and the vulva: sexual imagery and the Mother of God 31 August 2023, Emma Cieslik -
People holding apples: an emotional artistic connection 22 August 2023, David Marshall and Hugh Fowler Wright -
Double take: continuous narrative in Renaissance art 15 August 2023, Adam Wattam -
Poetry and painting: Seamus Heaney, Colin Middleton and T. P. Flanagan 08 August 2023, Eva Isherwood-Wallace -
Who were the Pre-Raphaelite Brotherhood? 07 August 2023, Andrew Shore -
City girls: women in entertainment in Impressionist Paris 31 July 2023, Tegan Huskinson -
Derek Hill and the Tory Island school of painters 26 July 2023, Jane Beattie -
Love, betrayal and murder: crying in art 21 July 2023, Robert Priseman -
Saint Joseph in art: from innuendo to veneration 13 July 2023, Adam Wattam -
Creature creations: eight wild works of art in UK museums 03 July 2023, Alex Hull -
Tasting rare fruits: Northern Irish artists in Paris in the mid-twentieth century 21 June 2023, Dickon Hall -
Let's have a picnic! The Rococo way to enjoy summer 20 June 2023, Tegan Huskinson -
'Jason and the Argonauts' at 60: revisiting Ray Harryhausen's masterpiece 19 June 2023, Connor Heaney -
C. S. Lewis: the 'Narnia' writer inspired by Ireland 16 May 2023, Roger Courtney -
Rural idyll to toil and dirt: paintings of farming in Northern Ireland 10 May 2023, Ruth Sanderson -
Tudor liveliness: vivid portraits and the art of the invisible 25 April 2023, Christina Faraday -
Where are the sea slugs? Wild Isles in art 19 April 2023, Samuel Shaw -
'Here comes the goose!': Elizabeth Siddal's strangely sapphic sentinels 06 April 2023, Nat Reeve -
Who were the Impressionists? 03 April 2023, Andrew Shore -
Rebuilding and resurgence: art in Belfast since the Good Friday Agreement 27 March 2023, Amanda Croft -
Our precious birds: a proposition for art lovers and birdwatchers 23 March 2023, Carla Benzan -
Up, up and away: the hot-air balloon in art 22 March 2023, Jonathan Hajdamach -
New visions of Belfast in the 1930s and 40s: Modernism among the ruins 17 March 2023, Dickon Hall -
The night sky in art 10 March 2023, Jade King