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Is anti-racist public art important enough to protect? Shadwell's 'Across the Barrier' 16 October 2023, Hassan Vawda
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Write on Art: 'Terpsichore' by Maud Sulter 06 October 2023, Nilla Feron Clark
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Rediscovering Black Portraiture: unshackled, reimagined, seen 25 September 2023, Peter Brathwaite
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Empire, Slavery & Scotland's Museums: an interview with Abeer Eladany 20 February 2023, Aimee Murphy
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A closer look at 'The Paston Treasure' 16 January 2023, Francesca Vanke
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The legacy of Winslow Homer's 'The Gulf Stream' 17 October 2022, Lydia Figes
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Alberta Whittle's excavations into history: a call to change 03 October 2022, Marjorie H. Morgan
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Reinterpreting the museum with the David Livingstone Birthplace collection 12 August 2022, Aimee Murphy
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The Brangwyn Panels: painting the tangled abundance of the British Empire 31 May 2022, Marjorie H. Morgan
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The boy with the pearl earring: the decorative art of slavery 30 March 2022, Marjorie H. Morgan
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'Other' mothers: motherhood and the African diaspora 22 March 2022, Marjorie H. Morgan
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Tara Munroe on the discovery of the 'Casta Paintings' 02 February 2022, Tara Munroe
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The changing face of the people of the African diaspora in British art 14 December 2021, Marjorie H. Morgan
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Sutapa Biswas: entwining colonial history and personal memory 16 November 2021, Imelda Barnard
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Tā moko: the Māori facial tattoos that fascinated Victorian Britain 05 November 2021, Tiare Tuuhia
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Lubaina Himid's 'Le Rodeur: The Pulley' 14 October 2021, Claire FitzGerald
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The Uncrowned King of Scotland: the man behind the Melville Monument 15 September 2021, Lisa Williams
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Captain Cook: a complex legacy 12 July 2021, Samuel Doering
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Sarah Forbes Bonetta: from captive to British celebrity 16 April 2021, Lydia Figes
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Postcolonial art: eight artists addressing empire, colonial histories and black identities 14 December 2020, Chloe Austin
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